2024 Large Panels for America, MAK Center Los Angeles, Mackey Apartments.

2023 The Years, MAK Geymüllerschlössel, Vienna.
2023 Mode und Tod, Layr, Vienna.

2022 Wealth and Propriety, Lodos, Mexico City.
2022 Sin, JTT, New York.

2020 Duell, Bonner Kunstverein.

2019 Time, Eugster, Belgrade.
2019 A Failed Play, Cell Project Space, London.

2018 Don't smoke, Layr, Vienna.
2018 The Fool At Sea, JTT, New York.

2017 new words, Layr, Rome
2017 New York, Studio for Propositional Cinema, Düsseldorf

2016 Places to fight and to make up, MUMOK, Vienna
2016 Billboards, Kunsthaus Bregenz, Austria
2016 The Eternal Optimist, Prince of Wales, Munich

2015 White Flag Projects Library, St Louis, Missouri
2015 Growing Horns, MINI/Goethe-Institut Curatorial Recidencies Ludlow 38, New York 

2014 let rise, let go, 21er Raum, Belvedere21, Vienna
2014 Just feel, MAUVE, Vienna


2024 Critical Fashion. Conference and Screening of Duel, MACRO, Rome.
2024 Unknown Familiars. The Vienna Insurance Group Collections, Leopold Museum, Vienna.
2024 Nine Oils. Francis Irv, New York City.

2023 Jahresgaben 2023. Kevin Space, Vienna.
2023 Parks and Recreation. Drei, Cologne.
2023 MAK Artists and Architects-in-Residence Program. Schindler Apartments, Los Angeles.
2023 Sartor. Between Bridges, Berlin.
2023 Es ist nur eine Frage der Zeit. Echo, Cologne.
2023 Pronto-a-Vestir. A Maior, Viseu, Portugal.
2023 Shapeshifting: Or, Synonyms for Skin. Curated by Mary Kathryn Fellios as part of: Rising and Sinking Again at Hessel Museum of Art, Annandale-on-Hudson, NY.

2022 New Space Show. Layr, Vienna.
2022 Klimax. Scherben, Berlin.
2022 Life and Limbs & Duel. Screening and Book Launch with Swiss Institute New York. Austrian Cultural Forum, New York.
2022 Fashionshow: Clothing, Art and Activism. Glucksman, Cork, IE.
2022 The Devil To Pay In The Backlands. Neuer Wiener Kunstverein.
2022 Wealth & Propriety. Faltpavillion, Basel.
2022 The Purloined Masterpiece: Images as Time Machines. Pictures Collection of the Academy of Fine Arts, Vienna.
2022 Body Blackout. Hamlet, Zurich.
2022 On Secrecy and Secret Societies. Solutions, Milan.

2021 You can have my brain. With Teak Ramos, Macro Museum, Rome.
2021 A Sculpture in Search of an Author. Layr, Vienna.
2021 Review. A new commission by Madeline Hollander for Performa Biennial, Hamilton Fish Pool, New York. Costumes by Anna-Sophie Berger
2021 PRK-1U. Tonus, Paris.
2021 Avant-Garde and the Contemporary:The Belvedere Collection from Lassnig to Knebl. Belvedere21, Vienna.
2021 Look! Exposing Art and Fashion. Marta Herford, Herford, DE.
2021 Sartor Resartus, Huset for Kunst og Design, Holstebro, DK.
2021 Toes, Knees, Shoulders, Heads + Butts & Guts, Meredith Rosen Gallery, New York.
2021 Enjoy. The Mumok Collection in Change, Mumok, Vienna.
2021 Shell Game, with Andreia Santana, Filomena Soares, Lisbon.

2020 The Phantom Moves Through Space And Through Different Bodies. Kevin Space, Vienna.
2020 Living Things. JTT New York.
2020 The Jurist. with Benjamin Hirte at Ciccio New York.
2020 No Joke. Milieu, Bern.

2019 5 Live Calibrations. Costume Design for Madeline Hollander's dance piece with LA Dance Project, performed in Paris at Théatre des Champs-Elysées, Louvre Abu Dhabi and in Los Angeles.
2019 Jahresgaben. Bonner Kunstverein.
2019 Time Is Thirsty. Kunsthalle, Vienna.
2019 Artissima. Turin.
2019 Holiday from Rules. Toffee Park Adventure Playground, London.
2019 life and limbs. Annual Architecture and Design Series. (curatorial) Swiss Institute, New York.
2019 Über das Neue. Belvedere 21, Vienna.
2019 26 APRIL 2019. Galerie Fons Welters, Amsterdam.
2019 Baka. A horse and a deer. Benjamin Hirte and Anna-Sophie Berger, Arakawa-Ku Tokyo.
2019 Cecilia. Sweetwater, Berlin.
2019 What they call my shadow here on earth is my true substance. CACBM, Paris.

2018 The First Morning Fest of Unreasonable Acts. Palazzo Bentivoglio, Bologna.
2018 In a very complex country. Motherculture, Los Angeles.
2018 Fogo Island Arts Residency. Fogo Island, Canada.
2018 The Way Things Run. Part III: Wage. PS120, Berlin.
2018 Ars Viva. S.M.A.K., Gent.
2018 KURA.GRAND OPENING.Summer Rhapsody. Fonderia Artistica Battaglia, Milan
2018 Noise! Frans Hals, Otherwise Frans Hals Museum, Haarlem, Belgium
2018 The summer vocation of a teenage bee Contemporary Art Centre, Vilnius
2018 Blackout 3+1 Gallery, Lisbon

2017 In Between. Franz West Library Visit as part of: Publishing as an artistic toolbox: 1989-2017 Kunsthalle Vienna
2017 Jahresgaben 2017/2018, Kunstverein für die Rheinlande und Westfalen, Düsseldorf
2017 New Human Agenda, And Now, Dallas
2017 In Relation to a Spectator, Kestnergesellschaft, Hannover
2017 New Literacy: 4th Ural Industrial Biennial, Ekaterinburg, Russia
2017 Anna-Sophie Berger, Oscar Enberg, Zac Langdon-Pole: ars viva 2017/18, Kunstverein München
2017 Wild West, Austrian Cultural Forum, New York
2017 instructions for happiness, 21er Haus, Vienna
2017 On the Wall in Chalk Is Written. 2nd Studio for Propositional Cinema Film Festival, Kestnergesellschaft, Hannover
2017 The Breakfast Pavilion, A Plus A Gallery, Venice
2017 Americans 2017, Luma Westbau, Zurich
2017 Oh…, Jakob Lena Knebl and the mumok Collection, Mumok, Vienna

2016 Se nos cayó el teatro, Lodos, Mexico City
2016 Instructions for Happiness curated by Olympia Tzortzi and Severin Dünser, Athens
2016 I Surrender, Dear, Hayley Aviva Silverman, Flaka Haliti and Anna-Sophie Berger, Salzburger Kunstverein
2016 Jenny say qua, Rogaland Kunstsenter, Stavanger/Norway
2016 Exhibition by 31 Women, Philipp Pflug Contemporary, Frankfurt
2016 Dead Letter Office, Jtt, New York
2016 Lodos presents A Play @ PEEE, Museo Experimental El Eco, Mexico City
2016 Das Gespenst der Freiheit; 15 Einreichungen. As part of the exhibition Das Neue at Kunstverein Düsseldorf, Headquaters of Westdeutscher Rundfunk, Cologne.
2016 9th Berlin Biennial, Dress Rehearsal organized by Centre for Style, Akademie der Künste, Berlin
2016 Finding Ling Ling's Head, Cookie Butcher, Antwerp
2016 Die Marmory Show 3: Guilty Pleasures, Deborah Schamoni, Munich
2016 Ver Lento, Centro de la Imagen, Mexico City
2016 Das Tal der Krisen Teil 3, New Bretagne / Belle Air, Essen
2016 Basic Structures Of., Austrian Cultural Forum, London

2015 The Weather Stone, with Zak Kitnick, AndNow, Dallas
2015 Playtime, 9800 Sepulveda Blvd., Los Angeles
2015 The Value of Food, The Cathedral Church of Saint John the Divine, New York
2015 Anagramma, Basement Roma, Rome, Italy
2015 Fantods, with Lucia Elena Prusa, Galerie Kunstbuero, Vienna
2015 A Rare Earth Magnet, Derek Eller, New York
2015 Centre for Style Tour New York, New York
2015 Centre for Style Tour LA, Chin's Punsh, LA
2015 Wow! Woven? Entering the (sub)Textiles, Künstlerhaus, Halle für Kunst & Medien KM-, Graz
2015 New Needs, Haus Wittmann by Johannes Spalt, Etsdorf/Kamp, Austria
2015 In a Future April in collaboration with Dena Yago, MINI/Goethe-Institut Curatorial Recidencies Ludlow 38, New York
2015 Hotel Moon, New Theater, Berlin

2014 The Styled Canvas, Tell Me What To Do, performance, Utopian Slumps, Melbourne
2014 Silly Canvas, Utopian Slumps, Melbourne
2014 Bavarian Fire Drill, 247365, Brooklyn
2014 Bouvier’s Bedroom, Tell Me What To Do, performance, Mathew Gallery
2014 Tell Me What To Do, performance, JTT, New York
2014 Graphic Design, Futura, Prague
2014 Morning and Evening Asylum, Tanya Leighton, Berlin and Off Vendome, Düsseldorf

2013 Arcades, Center for Style, Bus Projects, Melbourne
2013 A Wand Stirs The Juice, Clearing, Brussels
2013 HHDM, Parallel Fair Vienna
2013 Modeanweisung, V.esch, Vienna
2013 Fashion is Fast. Graduate Collection. Lookbook / Image Book

2012 Snout to Tail, JTT, New York City


Own Your Own. Review of Brad Kronz at Gandt & Gaylord. Dis/Claim Magazine, Issue 4, 2024.

Moral Fables. Interview with Natalija Paunić. Spike Magazine, 2023.

Review of Demian Kern's Exhibition Collectibles. Artforum Critic's Picks, 2023.

Koron Elat, Claire: The Failed Desires Index. Interview with Anna-Sophie Berger for 032c Magazine. January 31, 2023.

Life and Limbs. Catalogue published with Swiss Institute New York, 2022. 8.5 x 11 in, 152pages. With essays by Philipp Ekardt, Annie Godfrey Larmon and Anna-Sophie Berger.

The Purloined Masterpiece. Exhibition Catalogue. Published by Sabine Folie, 280 pages, Walther und Franz König, Cologne, 2022.

Double Loved. Review of Richard Prince at Gagosian, Downtown Critic, 2022.

Obstinate Boots, an essay on Cinzia Ruggeri. Flashart International.(english version), 2022.

Stivali Testali, Cinzia Ruggeri. Flashart Italia, Primavera 2022, Issue 356.

Kourlas, Gia: Review. Choreographic Skeletons From a Lost Pandemic Time. New York Times. Oct. 30, 2021. In print and online.

Viscose Journal. Issue No 2, 2021.

Smolik, Noemi: Anna-Sophie Berger's Take on Immanuel Kant. Frieze. October 2020.

Ćirić, Maja: Time at Eugster Belgrade, Critic's Pick. Artforum. September 2019.

Parallelaktionen. PW-Magazine. July 2019.

Thalmaier, Franz: Don't smoke at Layr, Vienna, Critic's Pick. Artforum. December 2018.

Old Chunk of Coal. On Norm Mcdonald Has a Show. Periodico Magazine. Issue 3, December 2018.

Hirte, Benjamin: The Fool At Sea. Catalogue essay for Exhibition Catalogue, 2018.

Review of Oa4s exhibition Friendship at Kevin Space Vienna. Cura Magazine. 2018.

A Preamble to Making Strange Things. Interview with Audrius Pocius originally published by Artnews Lithuania. March 2018.

Review of The Fool at Sea at JTT. Artwriting Daily. 2018.

Ugelvig, Jeppe: Review of The Fool at Sea. Artreview. May 2018.

Cerniauskaite, Neringa: Review of The Summer Vocation of a Teenage Bee. Art Agenda. March 2018.

Ars Viva 2018. Catalogue for Ars Viva 2018 published by Sternberg Press, 2017. 21 x 28 cm, 128 pages. With A Cage went in Search of a Bird an essay by Laura McLean-Ferris English.German.

Moises, Jürgen: Review of Ars Viva at Kunstverein Munich. Süddeutsche Zeitung. Oktober 2017.

Milani, Eleonora: Review of new words. Flashart. August 2017.

Kleinmichel, Philipp: Review of Places to fight and to make up. Artforum. March 2017.

Lucarelli, Niccolò: Review of new words. Artribute. 2017.

Feldmann, Max: Review of Places to fight and to make up. Frieze, Issue 184. 2017.

Höller, Christian: Review of Places to fight and to make up. Camera Austria, Issue 137. 2017.

Anna Gritz about Centre for Style. Cura Magazine, Issue 23. 2017.

Text Means Tissue. Francesca Capone, 2017. 202 p. paperback. Order Here.

MANUAL. Artist Book published with Museum moderner Kunst Stiftung Ludwig, 2016. 17,5x10,5cm, 240pages. With essays by Marianne Dobner and Tess Edmonson.
keeping things / Stains / hard to make hard things / Places to Fight
Library availability.

Take Care. Interview with Laura McLean-Ferris. Flash Art International, Issue 312. 2017.

Review of Places to fight and to make up at Mumok. Artwriting Daily. 2016.

Grulli, Antonio: Review of Places to fight and to make up at Mumok. Cura Magazine. 2016.

Interview about Places to fight and to make up Radio Ö1. 2016.

Interview about Places to Fight and to make up. Der Standard. 5.11.2016.

Review about Places to Fight and to make up. Der Falter. 27.10.2016.

Portrait. Die Presse Schaufenster. 20.10.2016.

Artist Lecture Series Vienna Transcript (german/english) Buy Here.

Review Places to Fight and to make up at Mumok. Purple Online. 31.10.2016.

Tote Bag Edition for Texte zur Kunst Issue #103 Poetry. Order Online.

Pandora. Lucia Elena Prusa & Anna-Sophie Berger. A story about a fictional character. Self Published 2016, 21.5 x 14 cm, 94 pages.
Library availability.

Review of I Surrender, Dear at Salzburger Kunstverein. Salzburger Nachrichten. Monday September 26th 2016.

Edmonson, Tess: "The Present in Drag," 9th Berlin Biennial. Art Agenda. 2016.

Brunnmeier, Quirin: Review of The Eternal Optimist at Prince of Wales. Kuba Paris. 2016.

A conversation with Hayley Aviva Silverman. Blue Paper. 2016.

Sumi, Denise: Review of KUB Billboards The Gap. 2016.

ORF Interview about KUB Billboards. Radio Vorarlberg. 2016.

Weiss, Diana: Interview. Kuba Paris. Issue 3. 2016.

Playtime. LA Times. 2015.

Top Ten. Artforum. 2015.

Smith, Roberta: A Rare Earth Magnet at Derek Eller. A Focus on Repurposed Materials. The New York Times. Aug. 13, 2015.

Sculpture Center. Sculpture Notebook.

Interview with Tomas Absolon. Blue Paper. 2015.

Discipline No 4, Spring/Summer 2015.

Frieze d/e. Fall 2014. In Print.

Burke, Harry: Fashion as Performance Art. Dazed Digital. September 2014.

Thomson, Allese: Review of Jigsaw Pinking at JTT. Artforum, May 2014. In Print.

Steadman, Ryan: To Watch: Anna-Sophie Berger. Whitewall Magazine. Spring 2014.

Remember to Calibrate Your Screen Before You Die. DIS Magazine. 2014.

Linde, Matthew: Interview for Centre for Style. 2014.

Feldhaus, Timo: Interview with Anna-Sophie Berger. DE:BUG Magazine. Issue. 178. In Print.

Heraldseth, Geir: Interview with Anna-Sophie Berger. Tableau Paper. Issue 1. In Print. Fall / Winter 2013.

Duncan, Fiona. Interview with Anna-Sophie Berger. Bullet Magazine. 2013.

Russeth, Andrew: Snout To Tail. New York Observer. In Print.

Fashion IS FAST, Self Published 2013 (Sold Out)


Advice You Can Take, Lecture with Teak Ramos, Academy of Fine Art Vienna, Kunstsammlung, 2023 (English)
Wealth and Propriety. Lecture at Städelschule, 2022 (English)
Instruments of Fraud, Podcast with Jasmin Tsou, 2022 (English)
Artist Talk with Susanne Mierzwiak on the occasion of Duell at Bonner Kunstverein, 2020 (German)
Discussing Duell at Bonner Kunstverein with Jasmin Tsou, 2020 (English)
A conversation with Philipp Kleinmichel, Cell Project Space London, 2019 (English)
Any Thing Inc: Lecture held at CAC Vilnius, December 2017 (English)
A Bargain in Fossils: Lecture held at Mumok Library Vienna, November 2016 (English)